Quantum Soul (Dub / Electronica / Drum & Bass)


  This one man band, namely Guy chambers, from the UK is too much.  The sound effects are eerie, the beat is hypnotic, and the overall feel is like being drug underground and left in a dark cement walled tunnel with the echoes still bouncing around in your head to prove it.  In other words, it’s a little like the last meeting I had with my shrink.  But, I had the volume on my headset as high as it would go in order to catch the full experience.  I might not recover from that for a couple of days.   Fortunately, I had enough ear wax build up to prevent me from receiving permanent inner ear damage.

  At times the drum and bass parts verged on feeling a little repetitive, but the ear candy produced from the nicely layered sounds kept the tracks from getting stale, as can often happen with music in this genre.  I think the trick to keeping that from being a problem–especially if you want to maintain a repetitive feel for dance purposes–is to introduce some high pitched sounds in various counter timed segments to gently lead the audience’s attention away on a tangent.  It’s like, you almost expect to hear a plot builder in the background, such as a bit of subtle piano work walking about, to give the sense that there is something lurking in the shadows.  But, I digress.  The work of Quantum Soul is definitely something I would urge my readers to check out.

To check out Quantum Soul, please visit:
http://www.myspace.com/quantumsoul

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Thyateira (Metal)


This week I stumbled across a group named Thyateira, a curious band from Crystal Lake, Illinois. I’m going to be honest with you right up front. I have rather mixed feelings about this band (whose name I assume comes from the fourth church of the book of Revelation chapter 2). I think this band has a lot of artistic potential that it should bring to the surface. I was on their myspace page listening to their tracks, and in the first song that came up, there was a brief passage where they kicked the growlers out of the room and actually tried to sing normally. For that brief moment, I started to feel as if this band had some sense of a purpose and maybe even something meaningful to say with their music. But, that connection was short lived, because the growling and shouting returned throughout the rest of my listening experience. Now, I will admit, when I was much younger, this sort of disconnect would not have struck me as being so odd. That is to say, given my rather detached anti-social outlook on life at that time. And let’s face it, the message that a band intends to send with their music is not always conveyed through the words themselves, even if you can actually make out what the singer is saying. But, here is what strikes me so funny about this band. And it is worthy of noting, for its musical value, if for nothing else. As I tuned out the shouting and growling to get beyond the surface of the music, it surprised me that there was this layer of nicely orchestrated lead guitar playing, over a tonally crafted driven rhythm. At times the feel of the lead was somewhat neoclassical in form. Which I truly think was a brilliant touch. There were also a few nicely used studio sound tricks in the mix from time to time that grabs the hearer and let’s go in a way that makes you pause, if you take the time to notice them. But, this dramatic difference between what you get on the surface and what you find when you explore what is going on beneath was something of a paradox to me as a listener. I mean, was that intentionally planned to turn out that way, or did it just turn out that way? Where I think it is difficult to create music in this genre is that as a band you have to decide what is more important. Is it the sheer force of raw power that you are trying to convey to your audience, or is your goal to be artistically inclined musicians first? I don’t think there is any right or wrong answer to that question, but I do find that the bands who back off the raw power and approach the creative process from a more musically appealing perspective, learn to get a far better balance in their final product than those bands which don’t. But, then again, I am speaking from personal preference. So, be sure to check out Thyateira this week and drop me an email to let me know what you think.

To check out Thyateira, please visit:
http://www.myspace.com/thyateira

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Jonas Tamas (Progressive/Instrumental Rock)


It is time for all my loyal readers to join me inside the fall out shelter for a special announcement. It is my pleasure to present to you the axe master from Budapest Hungary, Jonas Tamas. In the short time I’ve known about Jonas, I’ve just been amazed by his ability to handle a guitar. Normally, I tend to be quite critical of instrumental guitarists. Many who go down the instrumental path tend to spend too much time focusing on extreme lead playing and forget that the goal is to actually bring a balance to the music that aims to be appealing to the audience. What makes Jonas different is that he has a very deep sense of how to develop the landscape he intends to play against from one song to the next. When he brings up the lead, you can really hear him deliver a flawless performance as he dazzles you with engaging musical phrases and a superior picking technique that will leave you speechless.

On the occasions that I have had the pleasure to speak with Jonas over email, I have found him to be a person who truly appreciates his fans. And it is because he exhibits this quality, along with being a superb musician, that I believe he is deserving of your support. Recently, Jonas has released a new album called, “Sharp Guitars From A Flat Planet.” It’s a project that I know Jonas has put a lot of hard work and effort into, as I followed his updates on the various stages of the recording project over the last few months, reading the many comments he left for his fans on Facebook along the way. The somewhat haunting lead on Mosquito Bite and the emotional energy in the track Tight Squeeze, really stand out as works that demonstrate that Jonas has a dynamically melodic side as well as an ability to shred with the best instrumental guitarists around. So, be sure to pick up the album from CDBaby by following the link on our main page.

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