How Technology is Killing the Music Industry

  No matter how hard the RIA tries to put an end to online music piracy, the truth is that the RIA has accomplished nothing.  Internet piracy is just a symptom of a more serious problem.  That more serious problem is that technology itself has advanced to the point where the RIA and the courts can not keep up with the overwhelming number of violations happening every second of every day.  Any child can take a CD, put it in their computer, copy it, and distribute it to hundreds of thousands of people across the Internet in the matter of seconds.  The hope of the RIA and the courts is that if they make examples of enough people at the hands of the law, then maybe people will be scared enough to stop pirating music online.  Yeah, fat chance!  All that is doing is provoking people to pirate music more and more out of spite.  The bottom line is that the average person does not like it when an organization like the RIA leans on the court system in an attempt to bully people with the law.  And the simple fact is that there are just not enough resources available to keep the problem at bay.

  Technology messes with the industry in other key ways.  In past decades, it used to be that you had to trade in your records for 8-Track tapes, your 8-Track tapes for cassettes, and your Cassettes for CD’s.  The music industry was able to rake in billions every time you shelled out hundreds of dollars to rebuy your music library on the latest storage devices.  Now, with everything digital and the ability to store thousands of songs on one or two high memory capacity storage devices cheaply, the need to purchase your music library over and over again every decade or so is simply no longer necessary.

  To make matters worse, many bands do their own recording, mixing, mastering, and out source labeling and packaging for pennies on the dollar.  Thus making major studios and recording labels more and more irrelevant with every passing day.  Then many of these bands give their CD’s away for free, making it harder for established major label bands to sell their music at the high prices they got by on just a few years ago.  It is our easy access to highly useful technology that has made all this possible.  Unfortunately, it is this same technology that is making the business model the music industry has relied on in previous decades as obsolete as black and white television.

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I Need More Sustain, Darn It!

  One aspect of guitar playing that can make the difference between a mediocre sound and an incredible sound is the issue of sustain.  There is nothing more frustrating than to hear another guitarist get these notes that seem to ring out for ever maintaining a lot of body, only to learn that your own rig produces notes that die off after just a few short seconds.  It is at about this point that a lot of guys run out to their local guitar shop looking for a sustainer pedal or other device, only to find out that the improvements to the duration that notes ring out are minimal at best through the use of many conventional products on the market.

  So, how does one solve this problem with sustain?  After a bit of analysis of the problem, a lot of guitarists learn that a guitar with a through neck design, rather than a bolt on neck, can significantly improve the duration of sustain.  But, still the improvements don’t seem to get the overall sound where it needs to be–especially when it comes to getting the note to fade out into a nice hollow sounding harmonic.  It is at about this point when you are left wondering if you have to have a team of guitar techs to really reach those longer duration sustained notes.
  Something you should stop to realize is that the idea behind getting longer sustain is a simple matter of physics.  As long as the guitar string vibrates, the note will continue to sustain.  And that was the insight behind a little device called an Ebow.  As you hold the Ebow over a string, it would continue to vibrate the string by way of electromagnetic influences on the string.  And though the Ebow made it possible to dramatically increase the sustain of a note, the fact that it was a hand held device makes the Ebow a little impractical to use.  What was needed was a hands free device that could give you lots of sustain.  That device is known as a sustainiac and you’re going to love what it is able to do to help your sound.  The following two videos demonstrate the sustainiac in action.

JACKSON DK2S WITH SUSTAINIAC DEMO

FERNANDES SUSTAINER DEMO

  Of course, if you are a real gear head, you can always modify your own electric guitar to incorporate a sustainiac system.   It’s not something I would do myself, because I am a klutz with tools and electronics.  But, for those of you who are more mechanically and electronically inclined, it might prove to be a rewarding DYI project to modify an old electric guitar in your arsenal in order to have the luxury of a sustainiac system on board.

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