Gintautas Abarius (Jazz / Classical / Fusion)


Gintautas Abarius

To write truly good music, you must understand the language of sound in all its dimensions. There is hearing, feeling, and eventually, there is that unique connection that a really great musician learns to build with their audience over time. In rare cases, as with the late internationally accomplished pianist, Gintas Abarius, the son of famous Lithuanian conductor and composer Lionginas Abarius, the connection is downright infectious. I met Gintas more than a year ago when I was contacted via telephone to do some promotional work for the band Baltic Avenue. At the time Gintas was in good spirits, despite his ongoing battle with a severe form of throat cancer. I don’t know if it is the hardship of experiences like that or if it was simply in the way he embraced life in general, but as I began to hear more and more of his work, I realized that I had come to know an artist who truly understood what it meant to put meaning to music.

When I first heard the album, “Quietness and Trust”, I was deeply impressed by the way the intimate melodic phrasing invites the listener to catch a glimpse into the soul of Gintas himself. Especially during the pieces “Cloud of Praise”, “Adoration”, and my personal favorite track “Gratitude”, it was quite an experience to be able to intuitively understand and share in the delicate emotion and love Gintas expresses through the keys of his piano. I haven’t enjoyed a collection of solo piano pieces like this since I was introduced to the album “Nocturnal Afternoon” by the legendary pianist Joseph Rojo, nearly two decades ago.

Gintas was born in Lithuania in 1959 and began playing piano at age 5. The following are a list of a few of his major accomplishments throughout his tenure as a world-renowned jazz musician.

  • (1980) Winner of Grand Prix at national Birstonas jazz festival in Lithuania.
  • (1987) Winner of Grand Prix at international music contest in Moscow. Concerts on national TV of USSR in Moscow.
  • (1988) Grand Prix at national Birstonas jazz festival. Gintas Abarius is announced as the best jazz pianist in Lithuania. “Abarius Jazz Trio” received international award of jazz critics as a Discovery of the Year of USSR.
  • From 1987, Gintas toured and played with much success in Germany, Poland, Finland, Russia, Denmark, England, Latvia, Bulgaria, Holland, Estonia, Spain, Iceland, Slovakia, Israel, and the USA.
  • Gintas composed two national anthems for Lithuania – “Saukiu as Tauta” (“I Am Calling the Nation”) and “Dieve, Laimink Lietuva” (“God, Bless Lithuania”) which are always heard during Lithuania’s national holidays and celebrations.

Though Gintas will be sorely missed for his musical talents, uplifting Christian message, and eccentric cosmopolitan sense of humor, we will neither forget him nor the gift of music he gave to the world.

You can buy or listen to Gintas’ albums “Gates of Joy” and “Quietness and Trust” by visiting any of the following links.

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Larry Coryell on Jazz Minor Scales

  This is one of those lessons that will probably make your head spin a little.  It is rather theory intensive.   In the same breath, it is also a very useful lesson for learning to break free of the traditional grind in order to incorporate a bit more jazz style into your playing.

LARRY CORYELL: Jazz minor scales part 1  

LARRY CORYELL: Jazz minor scales part 2

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Some Assorted Jazz and Blues Ideas

Here are a few videos covering some interesting ideas to help you begin to develop more of a Jazz feel to your playing–especially in a blues context.

LARRY CORYELL: Jazz Guitar Lesson Blues In C

BILLY WILKIE: Jazz & Blues

PETER VOGAL: B FLAT MIXOLYDIAN MODE LICKS

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How Jazz Helps Your Groove

By Corey Bray

You are probably wondering why I am bothering you with jazz. What does jazz have to do with becoming a great shredder or even a great guitarist for that matter? In all honesty, jazz is the doorway to moving beyond the ruts and boredom of everyday repetitious playing. Some of the most exciting passages I’ve created in my rock instrumentals came from being able to add a touch of jazz to the mix to give the work that much needed spice. Though you may not want to become a full blown jazz guitarist, what jazz helps you to do is to think more coherently about how you are approaching the use of chords and notes in your playing. Here is a simple example of how to approach chords differently than in, say, a strict rock setting, which can help you to start thinking outside of the box.

JAZZ ANTICIPATION

This next video gets more into the heart of jazz and helps you to focus in on working in a walking bass line with your chord changes, which could be used as a nice break from the normal rock approach, to demonstrate that you have more to offer with your playing than just a jumble of quick notes.

WALKING JAZZ BASS

So, I hope this little introduction to jazz technique has helped you to recognize not only how jazz opens the door to greater freedom in your playing, but also how it can make a piece sound more interesting, even if used in a subtle way to enhance your songs.

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