Jonas Tamas (Progressive/Instrumental Rock)


It is time for all my loyal readers to join me inside the fall out shelter for a special announcement. It is my pleasure to present to you the axe master from Budapest Hungary, Jonas Tamas. In the short time I’ve known about Jonas, I’ve just been amazed by his ability to handle a guitar. Normally, I tend to be quite critical of instrumental guitarists. Many who go down the instrumental path tend to spend too much time focusing on extreme lead playing and forget that the goal is to actually bring a balance to the music that aims to be appealing to the audience. What makes Jonas different is that he has a very deep sense of how to develop the landscape he intends to play against from one song to the next. When he brings up the lead, you can really hear him deliver a flawless performance as he dazzles you with engaging musical phrases and a superior picking technique that will leave you speechless.

On the occasions that I have had the pleasure to speak with Jonas over email, I have found him to be a person who truly appreciates his fans. And it is because he exhibits this quality, along with being a superb musician, that I believe he is deserving of your support. Recently, Jonas has released a new album called, “Sharp Guitars From A Flat Planet.” It’s a project that I know Jonas has put a lot of hard work and effort into, as I followed his updates on the various stages of the recording project over the last few months, reading the many comments he left for his fans on Facebook along the way. The somewhat haunting lead on Mosquito Bite and the emotional energy in the track Tight Squeeze, really stand out as works that demonstrate that Jonas has a dynamically melodic side as well as an ability to shred with the best instrumental guitarists around. So, be sure to pick up the album from CDBaby by following the link on our main page.

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A Closer Look at Michael Angel Batio

  We all dream of it: a two car garage, a job we absolutely hate, and even looking forward to coming home at night to flop down in front of the boob tube to waste what remains of those few precious moments we refer to as life.  If we are lucky, we’ve even got a nagging mother-in-law and a couple of obnoxious screaming brats to keep us further entertained.  And if we are really lucky, we might have a decent amp, a nice guitar, and a few effects pedals to enjoy behind closed doors.  You know, that special place you go to crank it to 11 so that you can’t even hear the ringing in your own ears anymore?  But, if you are Michael Angelo Batio, your home studio and rig is likely a little more over the top than the average player’s.

MICHAEL ANGELO BATIO’S HOME STUDIO

  Let’s face it, you don’t get to be one of the world’s most famous shredders by being normal.  No, you throw out the whole 9 to 5 desk and/or cement mixing job and put most of your time and effort into trying to figure out what properly harmonizes with some crazy mode of the major something scale in 5/4 time, while kicking your bass player around to help keep focus during band practice.  Okay, I don’t actually advocate picking on your bass player, but bassists know it’s part of the job if they have been around the industry long enough.

  Now, being a world class shredder gives Michael Angelo the right to use a little creative license when–uhm’ well, Interpreting!  Yeah, that’s it, Interpreting the work of a late legendary guitarist like Randy Rhodes.

MICHAEL ANGELO BATIO’S INTERPRETATION OF RANDY RHODES WORK

  That was perhaps a little over the top in spots, but amazing nevertheless.  So, while you are stuck at work trying to figure out how to stick it to the man, just remember that Michael Angelo is somewhere out there rocking hard.
 
  Would you like to be a world class shredder, but just don’t have the desire to practice day in and day out?  Now you can pawn your old guitar for good this time, because the iAirGuitar is finally here.  Get your hands on a copy for your iPhone and iPod Touch today.  Visit:

  www.iairguitar.com

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Practicing Guitar with Rusty Cooley

RUSTY COOLEY
Here are a couple of instructional videos that no guitarist should go without.

Rusty Cooley: Fretboard Autopsy

RUSTY COOLEY TECHNIQUE LESSON

Rusty Cooley: Betcha can’t play this

To find out more about Rusty Cooley, visit:
www.rustycooley.com

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Insane Guitar Practice

It used to be that back in the 70′s, all that was required to become a shred master was to practice 8 hours a day. During the 80′s, the rigor of guitar slinging increased and we started pushing for more like 10 hours a day. Then guitar playing moved to this whole new level. First, we started by cutting out breaks for eating and just kept a bottle of Perrier and vitamin supplements next to our rig. This made it possible to play about 12 hours a day. That much practice started to create significant results as you can hear in videos such as this one.

Realizing that this just wasn’t going to cut it, shred masters started making some further sacrifices to help them manage their time more efficiently. They stopped dating, partying, drinking, doing drugs, and moved to only use the bathroom once a day, but only when absolutely necessary. This increased the average shred practice session to right around 15 hours a day, despite the fact that more guitarists were dying from kidney failure and a general neglect to eliminate solid waste from their bodies on a regular basis. But, for those who survived this rigorous schedule, the results were staggering as you can hear for yourself.

Finally, in a last stitch effort to add more practice time to their schedule, Shredders far and wide started to take a more serious and extreme approach to disciplined guitar practice. The new technique involved shredding while sleeping. This solved two critical problems in the axe master’s life. The first problem it solved was that it eliminated the need for getting married altogether. The second problem it solved was that it finally made it possible for the seasoned shredder to practice an average of 17 hours a day. Just look what happens to you once you reach this level.

Shredologists (those who study the science of increasing speed and accuracy on the axe) are already deeply involved in developing new methods to push shredding right to the edge of the envelope. It is expected that by the year 2012, shredders will be practicing about 20 hours a day. But, the goal this time will not be to simply improve speed and accuracy. This time around, we hope to actually introduce methods to teach shredders other important musical skills. Things like music theory, the ability to play with other musicians, and a host of other valuable techniques. Until that time, the world of shred heads will continue to blast their amps, run scales, and simulate the death cry of screaming cats with their favorite axe.

Disclaimer: Our shredders are trained professionals, so please do not try this at home. In fact, it’s a good idea to put your axe down from time to time, get off your rear, and get out side and get a little exercise for goodness sakes.

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